FEATURE: As an added-value proposition, clear varnish in digital ink-jet printers is becoming ever more popular. Sophie Matthews-Paul looks at the applications and advantages.
NEWS: Mimaki's Sb300 series dye-sublimation inks for theáTS500-1800 textile printer have been awarded an Eco-passport certification from Centexbel.
NEWS: Victory Signs has become the first company in the UK to invest in a Mimaki JFX500-2131 from YPS.
NEWS: POD Iberia will give its MTex 1800 textile printer, launched in the UK at Sign and Digital UK, its first European outing at FESPA 2013 in London next month.
NEWS: Creative software developer Corel is offering disgruntled Adobe users 'powerful alternatives' to Creative Cloud with a special pricing program.
Can your business afford not to implement web-to-print systems? Barney Cox weighs up your options.
Sophie Matthews-Paul looks at the technologies that we can expect to see at the Sign and Digital UK 2013 and why it's worth going.
Barney Cox is at the front of the queue to sample RTI's Winjet 4200, a 1.6m printer which is amongst the first on the wide-format scene to incorporate Memjet's super-fast 22.2cm print-heads.
So do we still need to laminate? Sophie Matthews-Paul looks at the laminating technologies available today.
The ability of digital flat-beds to produce on corrugateds cost-effectively has opened more doors for PSPs ľ but what does it mean for Fujifilm and its R&D? Barney Cox elucidates.
A shiny challenge: metallic inks for wide-format print
Print-and-cut or print, then cut?
LED by the hand: a beginner's guide to UV LED curing
From start to finish: workflow in wide-format
Hybrid Services gives an in-depth exploration of the recently launched TS34-1800A, a 1.9m dye-sublimation wide-format production printer.
The lower ranks of the UV-curable market might be well served with printers but Fujifilm's addition brings some advanced features into a sensibly priced engine.
ArtSystems profiles Onyx Thrive, the workflow software RIP that provides a scalable print production solution based on the Adobe PDF Print Engine (APPE).
GMG's Michael Farkas considers how we can avoid colour inaccuracy through effective colour space definition ľ from the point of capture onwards.
David Dilling from FlightCheck creator Markzware Europe looks at PDFs.
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